About

Marita Kennedy-Castro

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Marita is a dancer, choreographer, creative experimenter and embodied movement guide residing in the Wabanaki lands we call Maine under colonization. She is passionate about building community that is centered in transformative love and justice through her classes, collaborative arts productions, discussions and performances.

A lifelong dancer, Marita was introduced to West African Dance in 1999. She devotes herself to immersion studies in Guinea dance and culture during extended visits to the country, attending international festivals and classes, and earned the blessing from her teacher Youssouf Koumbassa to become a teacher herself. She shares her learning humbly, positioning herself not as a representative but as a bridge-builder. She collaboratively hosts master artists from West Africa as guest teachers to her homelands, to expand community experience and understanding of the culture.

Her work contributes to broadening awareness of interconnection; illuminating avenues to healing through movement as medicine. She is founder of Embody the Rhythm, visionary and facilitator of Bakunda (We Love) and artistic director, choreographer and performer with New Moon Ensemble. She completed her thesis in Dance & Performance Art for Healing & Social Change at Goddard College.

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Personal Background & Intent 

I was born in the United States into a family of mixed background with healthy doses of both Irish and Sicilian. As a young girl I had dreams of leaping until I could fly and it was my first West African dance class that put the air under my feet.

I fell in love with the movements in Guinea Dance, the way the traditions honor interconnection to the rhythms of nature and one another, celebrating life’s cycles and seasons. ~ Something that is intrinsic to many traditional life-ways around the world, yet mostly goes forgotten in the culture I grew up in.

Since 1999, I have studied under master teachers from Guinea, Ghana, Senegal, Mali, Ivory Coast, Cameroon, Rwanda and Congo, with a primary focus in Guinean dance. One of my primary teachers, world-renowned master artist Youssouf Koumbassa, gave me the encouragement and blessing to teach and perform.

I share my love for this cultural dance & music with my community to help build appreciation, interest and understanding. I position myself not as an expert but as facilitator, a bridge builder. Together with a committed crew of drummers we’ve developed an ever-growing community base with which to host master dance and drum teachers from West Africa to Wabanaki territory.

In January 2015 our community was blessed to be joined by master village drummer Namory Keita from Sangbarala, Guinea. Namory accompanies weekly dance classes, and teaches drum classes. He travels to teach and perform around the country and beyond.

Namory and I developed New Moon Ensemble – West African Drum & Dance to expand horizons, inspire international study and share our love for intercultural exchange. Many of the talented dancers and drummers I’ve worked with for over a decade are a core part of the Ensemble. Together we build community and inspire international study and collaboration through the healing power of music and dance. We offer private and public workshops, residencies, choreographed productions and modern community rituals for weddings, graduations, baby blessings, ceremonies and occasions of all kinds.

I encourage anyone who’s interested in West African dance to immerse themselves in the traditions, and add motivation by hosting master teachers to Maine each year. Together with my friend and colleague Elizabeth Fowler, we’ve brought in Brigitte Ndikum-Nyada, from Cameroon, Theo Martey from Ghana, and from Guinea: Youssouf Koumbassa, Mito Camara, Abdoulaye Sylla, Sidiki SyllaIsmael BangouraSeny DaffeSayon Camara, Ismael Kouyate, and Namory Keita.

I received my Bachelor of Arts in Health Arts and Sciences from Goddard College, with a self-designed major in Dance and Performance Art for Healing and Social Change. I’m passionate about broadening multi-cultural awareness and appreciation, and illuminating avenues to healing through movement as medicine.

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